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Daisuke Asakura


Daisuke Asakura (浅倉大介, Asakura Daisuke?, November 4, 1967, Asakusa, Japan -) is a male Japanese pop artist.

His childhood consisted of piano lessons and the expectations to follow the family trade of plumbing.

Asakura began his career with landing a job at Yamaha right after High School. While under Yamaha, Asakura worked on the EOS synthesizer; he was also featured in the home-instructional video for the machine. His talent was discovered by Tetsuya Komuro of TM Network and Daisuke was pulled from Yamaha to work under Komuro as his protégé. Daisuke played Bass Synthesizer during TM Network’s 1990-91 Rhythm Red tour. Then Asakura met Hiroyuki Takami in 1990 following Rhythm Red and eventually in 1992 broke away from TM Network and formed access (or AXS) with Takami on vocals and lyric. The duo received enormous acclaim and a firm influence in Japanese popular music. Notably, access is also famous for their on-and-off-stage fan service.

Takami and Asakura’s early musical relationship was often a rocky one, however. Both men are reported by even newer fans to have been “at each other’s throats” constantly in Access’ later years until finally the duo disbanded in 1995, much to the dismay of their fans and supporters.

Despite this blow, the infamous break-up left Asakura to pursue new ideas that included producing and composing songs for new artists; one of the most successful acts he created was with J-pop idol Takanori Nishikawa under the title of T.M.Revolution. In mid-1996 Asakura started a three-man unit titled Iceman which brought Kenichi Ito(guitar) and Michihiro Kuroda(vocal) to the spotlight. Iceman, although not as popular as Asakura’s previous project with Takami, was met with considerable acclaim from Asakura’s loyal and growing fanbase. After several years Iceman ended activity due to conflict between Michihiro Kuroda and Asakura, however. During and after his years with Iceman Asakura built his wealth and reputation as a composer taking after his idol and teacher, Tetsuya Komuro. He produced singles and albums for many jpop vocalists who now reside in obscurity. Examples of Asakura’s past projects includes vocalists such as Sakanoue Yosuke, Kinya Kotani, Daichi Kuroda, Akiko Hinagata, Yuki Kimura, FayRay, Takashi Fujii and groups such as, Onapetz, Pool Bit Boys, Lazy Knack and The Seeker. He also composed a few songs for visual kei J-rock band, Shazna. Most of the above listed, as well as a group of school boys under the name D.A.N.K., were included in a project called Cherry Garden which amounted to literally nothing in the end instrumented the demise of Asakura’s musical ‘Family’.

The year 2001 was a great year for Daisuke, however. He produced his first solo album in seven years as well as working with Iceman guitarist Kenichi Ito in Mad Soldiers; a sort of comedic spin-off from Iceman in which both men’s ’sinister’ alter egos ‘Scorpion’ [Asakura] and ‘Snake’ [Ito] produced music for Kotani Kinya and performed officially unrecorded cover versions of famous songs such as ‘Lemon Tea’ by Sheena and the Rockkets and ‘Hungry Like the Wolf’ by Duran Duran, one of Asakura’s speculated favourite bands. Much to the joy of Asakura’s older fans, in 2002 he reunited with Hiroyuki Takami and reformed access. With the reuniting of Daisuke’s favoured vocalist, Takami, T.M.Revolution was dropped from Asakura’s projects possibly due to Nishikawa’s rude comments towards Daisuke’s true intentions as a musician, claiming that he had a ‘black stomach’ [synonymous with 'black heart']. In recent years Nishikawa has reportedly made efforts to contact Asakura and send him flowers, but such efforts have been ignored.

Asakura also went off on a solo project in 2004 titled “Quantum Mechanics Rainbow”. In which he released multipule CDs for a year, and each CD title name had to do with a color and math property.

Currently, Asakura focuses on his career as Keyboardist and support vocalist for access; now celebrating their 15th anniversary in the year 2007. In 2006–2007, Asakura produced two singles for new jpop idol Kimeru, hit the road with TM Network for 2007’s TMN TRIBUTE tour and is now currently creating new songs for the popular dance-step game, Dance Dance Revolution’s newest version.

In November 2007, access released a memory/ discography book, alongside much coveted access plushies, to commemorate their 15 years together (the 7 year interval apparently didn’t count to them). It is said to be a continuation of another discography/memory book they produced titled “Sync-Beat.”

In 2008, he has revealed a new musical project, entitled “DA METAVERSE ~100 songs for 1000 DAYS,” where he will release 100 new songs over 1000 days exclusively through iTunes. The project was launched on June 25th, 2008.

Song: Techno Beethoven

song: Decade

Posted by The Expedited Writer in General | No Comments »


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